research rabbit hole: historical lamps

As you know, I self-id as a complete and utter history nerd and I regularly get sucked down research rabbit holes. I find that I get stuck on how something would work so fixedly that I can’t move on with the story until I’ve worked it out in my own head. A lot of this doesn’t make it in to the book, because it’s simply not necessary for the plot for everyone else to know how corn was harvested in 1920, or what precise underwear working women wore in the mid-eighteenth century, or, in this particular case, what lanterns someone would have used to explore a cave system in the Himalayas in 1780.

This stuffed me for lighting solutions, because advances in oil lamp technology didn’t actually happen until 1780, with the invention of the Argand Lamp by, wait for it, Aime Argand.

Jones and Edith were therefore left with either a candle lantern or a more primitive oil lantern for their explorations. I have allowed them a few candles brought with them from home. But the lighting in the region was primarily from oil lamps, usually using clarified butter or vegetable oil. So I thought that Jones, being very well prepared, would probably have an oil lantern and a candle in her pocket for emergencies. Oil lanterns can have more than one wick for additional light – this YouTube video is a really worthwhile watch.

After watching that, I made myself a little lamp with olive oil and a bit of cotton string supported out of it with some wire, in a glass jar. It gave enough light to hang out and chat, but not really enough to read by unless you were right next to it. I guess more wicks in the jar would make a difference.

My next project is to take the cream off our fortnightly milk delivery, make butter, clarify the butter and see how I get on with that.

One thing that shouldn’t be underestimated is the very real risk of fire with all of these open light sources. There’s a reason that there were stiff penalties for having an open flame below decks on a ship. Horn lanterns, with scraped thin panels of animal horn to protect the flame, served a double purpose – to protect the flame from being blow out, but to also slow down fire if the lamp was dropped or toppled over.

Don’t try this at home without something close by to extinguish flames if something goes wrong!

 

research rabbit-holes for june

The last few weeks’ research rabbit-holes have been pretty varied. I’m still flailing around in the Himalayas and in eighteenth century India for Flowers of Time and on top of that I’m still fact-checking for Inheritance of Shadows.  This is the stack of reading I took away on holiday last week.

It turns out that Rob in Inheritance needs to know about Trench Code, which I didn’t even know was a thing until I started researching codes used by the British in World War One. I’m reading Secret Warriors by Taylor Downing to get some background on Rob’s career in Signals. Or… was he involved with something more Intelligence-led? I’m also reading A Country Twelvemonth by Fred Archer to give me a chronological background to the farming year in the 1920s and I may give Cider with Rosie by Laurie Lee another read – I haven’t touched it since it was one of the set texts for my O-levels in 1986. Although I enjoyed it before then, deconstructing it for an exam completely soured me to it.

The pile also includes a couple of books about Kew and Marian North, who was a Victorian plant collector and illustrator. Edie in Flowers of Time is inspired by her, although Edie predates Marian by a century.

Tabs open in my browser this morning include Keeping Clean in the Eighteenth Century, Ladakh, the index to Lady’s Magazine, a google search for images of deserted forts of the Himalayas, a page about the monastery of Phugtal Gompta, the abstract of an article about eighteenth century circulating libraries, and (still) the article about the eighteenth century seed trade, because I keep going back to it to absorb a bit more.

That’s it for this time!

works in progress: progressing, and that’s about all

I’ve done a load over the last month, but not much of it actual writing.

Because of the shenanigans with MailChimp pricing levels, I’ve ported my newsletter over to MailerLite, which I think will be a good thing long term, but was a pain in the neck to do at the time. And I’ve done the same for Mr AL, who has a much more complex set-up than I do, so it took ages. That done, I’ve also set myself up a proper Ko-fi page that will act as a sort of combination of things I blog here and exclusive content that first goes out to newsletter subscribers.

I’ve also committed to doing some posts for the Queeromance Ink Blog, about author-life in general rather than more bookish things. This involves me sitting down and actually writing them, but they’re coming together in my head.

Which brings me to actual writing! Inheritance of Shadows has another three thousand words, which went out yesterday – newsletter usually goes out on the first Tuesday of the month, barring disaster. If you’d like to get the monthly installments of Matty and Rob’s adventures, just hop on here. You will also be able to follow on Ko-fi as a supporter if you’d rather do it that way. I’m reading Secret Warriors: key scientists, code-breakers and propagandists of the great war by Taylor Downing as background, because Rob needs to know some stuff and I need to know the stuff before he can know the stuff. It’s fascinating.

Flowers of Time has had another few thousand words, but I’m still sidetracked by Katie Hickman’s She-Merchants, Buccaneers and Gentlewomen and feel like I need to get that under my belt before I write any more. I’m writing completely outside both my historical period and my geographical area and I don’t want to mess either up.

This month promises to be more of the same, hopefully with less opportunities for prevarication. Watch this space!

 

 

York: Roman, Medieval, Viking. And geese.

I lived in York for three years during college. It’s a beautiful city, small and full of history. My degree was a joint effort in history and archaeology and it was a privilege to just be able to wander round and soak up all the different eras.

I kept a narrow focus on medieval Britain in my studies and retrospectively I wish I’d been more open to learning about other parts of the world. There seemed so much to learn about my own country though – and I wanted to know it all.

I have very little interest in Kings-and-Queen type history, or even political history. It’s the day to day minutiae that interests me. What did people eat for breakfast? How did they repair their shoes? How did you keep warm in winter? How long did it take to walk from one place to another? York is chock-full of museums, you can’t chuck a rock without hitting one. And they’re all fascinating. But the things that fascinate me most are the little things. The faces on the gargoyles and grotesques in the Minster – are they carved in anyone’s likeness? How long did each one take to make? Or taking a walk along the walls or down The Shambles and thinking about all the people over the last couple of thousand years who have done the same. What were they thinking? Where were they going?

Pondering these questions in part has led me to where I am writing today. I like writing about people, rather than situations. Yes, my stories have situations in them, because doh, that’s life. But it’s how my characters work things out, how they deal with the day to day minutiae of living that drives me forward.

Despite all its grandeur and all its opportunity for historical and archaeological research, my main memory of York is of the waterfowl on the university campus grounds.

That’s social history for you. Forget the cathedral. It’s too big to carry with me. Let me take away my pictures of the geese.